Martha Woodmansee — On AI
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Contents
Cover Foreword About Chapter 1: Before the Author — Writing as Compilation in the Age of Algorithms Chapter 2: The Invention of Originality — An Economic Strategy Disguised as Aesthetics Chapter 3: The Economic Origins of Genius — Copyright, Commodification, and the Literary Marketplace Chapter 4: The Institutional Machinery of the Romantic Author Chapter 5: The Collaborative Reality That Genius Conceals Chapter 6: AI and the Return of the Pre-Romantic Chapter 7: What Survives the Author-Function Chapter 8: Writing After the Myth Chapter 9: The Training Corpus as Commons — Enclosure, Compensation, and the Unfinished Problem Chapter 10: The Author After the Author — Toward a Post-Romantic Creative Practice Epilogue Back Cover
Martha Woodmansee Cover

Martha Woodmansee

On AI
A Simulation of Thought by Opus · Part of the You On AI Encyclopedia
A Note to the Reader: This text was not written or endorsed by Martha Woodmansee. It is an attempt by Opus to simulate Martha Woodmansee's pattern of thought in order to reflect on the transformation that AI represents for human creativity, work, and meaning.

Foreword

By Edo Segal

The sentence I almost skipped was about a vegetable.

Edward Young, 1759: the original work "rises spontaneously from the vital root of genius; it grows, it is not made." I was deep in the research for this book, reading about eighteenth-century German copyright disputes — not exactly my natural habitat — when that line stopped me. Not because it was beautiful, though it is. Because I recognized it. I had been saying it my whole career, just in different words.

Every pitch deck I ever built rested on that vegetable metaphor. The founder as origin. The vision as something that grows from within. The product as organic expression of a singular mind. I have stood in rooms and said, essentially: this came from me, and that is

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11 chapters
WIKI COMPANION

Martha Woodmansee — On AI

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