PERSON
Rosalind Krauss
American art critic and theorist (b. 1941) whose structural analysis of postmodern art—the expanded field, the myth of originality, the index-to-simulacrum shift—provides the most rigorous framework for evaluating AI-generated creative production.
Rosalind Krauss is the art theorist who dismantled the myths organizing modern and postmodern art practice and, in doing so, built the analytical instruments needed to understand what AI has done to creative production. A founding editor of October magazine in 1976, Krauss spent five decades developing structural frameworks that exposed how categories like "sculpture," "originality," and "authorship" were institutional constructions rather than natural kinds. Her 1979 essay "Sculpture in the Expanded Field" demonstrated that when a category becomes infinitely elastic, the adequate response is not to stretch it further but to map the new positions its dissolution has opened. Her 1985 analysis of the originality of the avant-garde showed that the supposed originals were always already copies—Rodin's bronzes were reproductions, the grid was a compulsive repetition, the readymade was the most citational gesture imaginable. This work was not cultural complaint but structural diagnosis, and its implications extend far beyond galleries into every domain where AI now operates.
