Published in Socialist Review in 1985 and collected in Simians, Cyborgs, and Women (1991), the Manifesto was a deliberately blasphemous intervention into socialist-feminist debates about identity and technology. Haraway did not predict robots or implants. She proposed the cyborg as a figure — a provocation aimed at anyone who located authentic humanity in some pre-technological state of nature and measured subsequent entanglement with machines as a fall from grace. The cyborg was her instrument for dismantling the myths of purity that had been used, for centuries, to enforce domination: nature/culture, human/animal, self/other, organism/machine. The essay has become one of the most cited texts in late-twentieth-century theory and arrives again in 2026 as a framework the AI discourse cannot avoid.
The Manifesto's specific target was the feminist tradition that located women's authenticity in nature, the body, or the pre-industrial home — a tradition that, Haraway argued, ceded to patriarchy the terrain