CONCEPT
Aesthetic Experience (Greene's Account)
The transformative encounter with a work of art that defamiliarizes the perceiver's world — Greene's central mechanism for cultivating the capacities AI tools cannot supply.
Greene drew on
Dewey's account of
Art as Experience (1934) to articulate a theory of aesthetic encounter as the primary instrument of education. An aesthetic experience is not the passive consumption of beauty; it is an active, effortful, transformative engagement with a work that resists easy assimilation. The encounter produces what Greene called, following Shklovsky,
defamiliarization — the forced perception of what routine
consciousness has rendered invisible. It cultivates specific capacities:
perceptual sensitivity (the ability to distinguish what others collapse into single labels),
tolerance for ambiguity (the capacity to remain in uncertainty without forcing resolution),
creative courage (the willingness to act without guarantee), and
empathic imagination (the construction of perspectives other than one's own). These are precisely the capacities the AI economy most urgently requires and that AI tools least reliably produce.
In The You On AI Field Guide
Dewey insisted that aesthetic experience is not a special class of experience reserved for the gallery and the concert hall. It is any experience that achieves