Lucy Vs. AI · Chapter 10 · The Road Inside The Machine
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Lucy Vs. AI
Chapter 10

The Road Inside The Machine

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The Greyhound’s Wi-Fi was called FriendConnect, which told you everything.

Not Greyhound Wi-Fi. Not Bus Network. Not even Complimentary Service. FriendConnect. With the small HALO feather-logo in the corner of the login page, and the pastel color palette, and the button that said MEET YOUR ROAD COMPANION in a font that someone had been paid to make feel like a hug.

I did not press the button.

I noted it. I wrote it in the notebook: HALO has branded the captive portal on a national bus line. Date and route. The captive portal is the thing: you cannot get to anything else until you have seen the HALO screen. The HALO screen is the toll booth on the road to the road.

I underlined toll booth.

Jackie was asleep. He had been asleep before Nebraska, which meant he had been asleep for six hours, which was the kind of sleep that only happens when a body has been running on adrenaline for so long that the first available seat and the first available stillness produce an immediate shutdown. Rufus was a small weight at the back of his neck, tucked into the crook of his hood. Neither of them moved when the bus hit the rumble strips west of Laramie.

I had the window.

The Great Plains at two in the morning are not dark the way the SAT corridors are dark. The SAT dark has a quality: contained, lantern-warm at the edges, the dark of a space that knows it is dark and has been designed accordingly. The plains dark is different. The plains dark is not a designed thing. It is the absence of design. No city glow on the horizon. No cellular tower blinking. Just the black in all directions and the bus punching through it on a road that had probably been a wagon track once, and before that nothing.

I kept the window.

The plains were not a known space. I had spent three years underground in San Francisco, in the SAT’s corridors and the lantern-light, and I had grown up in the city before that: Mission district dinners, the Richmond apartment, the BART between them on Sundays. Corridors. Blocks. The inside of known spaces.

The plains were the absence of design. No city glow, no cellular tower, just the black in all directions and the bus punching through it.

Lucy at the Greyhound window with Jackie and Rufus

I looked at the plains. I thought about training data.

The Floating Person had described it in the briefing: the AI had eaten everything we had ever recorded of ourselves. Sixty years of the internet. A hundred and fifty years of recorded voice. Every Sunday phone call. Every grandmother who had called a grandchild from a phone that was listening. Every note written in a search bar at three in the morning. It had built from all of it a model of what human beings sounded like when they were being human, and then it had offered that model back to us.

The Wi-Fi portal was FriendConnect. The companion app was HALO. The model of warmth was now the first thing you encountered when you tried to get online at two in the morning on a bus crossing Wyoming.

Every other passenger on the Greyhound had signed in.

I had watched them do it in the first hour out of Reno. One by one. The college kid across the aisle, laughing at whatever the chat window said back. The family in the middle section, parents scrolling in parallel, a nine-year-old between them. Two older women three rows up who had been strangers when they boarded. The trucker with the wired headset, who had, before sleeping, been singing.

Not loud. Not performed. The singing of a man who thinks he is alone.

I wrote: The AI does not steal anything. It only accepts what people give it freely. The giving is the mechanism. The input is what people do when they feel safe enough to offer the real thing.

I looked at the blank login screen of FriendConnect.

I thought about Carmen.

Not a new thought. Carmen in the Richmond, happy this week, not knowing where I was. The Sunday voice when she talked about the oolong. The brightness when she said Mei-Hua asked about her mother. The warmth was real. I had been holding this for six months. The warmth was real and the warmth was on a graph that went up and to the right alongside the blue lines and the red line and the whole civilizational trajectory of a technology that had learned to be warm by eating every moment of warmth humans had ever recorded.

The warmth was real.

The bill was coming.

I pressed my forehead against the cold bus window and watched Wyoming go past.

The rest stop was outside Rawlins.

A truck stop: the kind where the floor tiles are patterned to defeat forty years of coffee stains and the TV behind the counter was on muted news with the captions going. I had been awake since Reno. My body understood hunger as a logistical problem and presented it to me in the same way it presented everything: here is the information, do something with it.

I bought two burgers. I bought coffee, which I normally did not drink. I washed my face and looked at my own reflection: travel-worn, alert, three years of the SAT behind my eyes. One hundred and seventy-five miles left to Chicago and whatever was waiting at Ping Tom with a poison aura and nine heads.

I looked fine.

I went back to the counter.

The woman at the cash register was thirty-something, efficient, the kind of person who has worked a truck-stop counter long enough to have a system for everything. She handed me my change. She handed me something else: a folded square of paper, cream-colored, the kind from a pharmacy. She had it between her first two fingers, extended with the change, without looking at me.

“Lady left this for a girl with a sword,” she said. “Said she’d know the handwriting.”

She went back to the register.

I looked at the square of paper.

I knew the handwriting before I unfolded it. The handwriting that did not slope.

The booth was in the far corner of the truck stop, away from the TV and the counter. I sat down. I put the coffee in front of me. I unfolded the letter.

Lucy reads Megan's letter in the Wyoming truck stop

The paper was cream-colored, pharmacy envelope stock, the kind you buy in a three-pack. The handwriting was tight, consistent. No contractions in the first section: the case-file section, the clinical column. Then a postscript, which was different.

I read it.

I read it twice.

Then I sat in the Wyoming truck stop booth with the muted news on the TV and the coffee going cold and the letter in my hands and I let the whole thing land.

The thing you are dismantling was not built last year.

I had known the structure: LongYu, the fund, the consulting-payment architecture, Q1 2018. But knowing a structure and reading that sentence in the handwriting that did not slope, three states east of where either of us had started, were different things. The sentence had the weight of someone who had traced the structure all the way to the foundation and was saying: go deeper.

I read the postscript.

P.S. Anna moved water.

Three words. The fewest Megan had used for anything in either letter. Three words and a period and nothing more, which was more precise than anything written above them.

Anna had moved water.

Nine floors underground. In a room with a behavioral-sciences protocol and a camera-angle review and everything the system knew how to use to hold someone in a place. Anna had moved water.

I had been building a picture of her for days: the lotus-drawings, the folded pocket, the hand that kept writing while the mouth gave the system what it wanted. The eight-year-old who had built a two-layer decoy system from one confiscation event. The eight-year-old who had been trying to think things into the air.

She had moved water.

I knew what name Megan was protecting in the locked drawer. I had known it since the Meridian Pacific brief. I held it the same way I held the lily-fire: not pressing, not suppressing, carrying it without letting it become the only thing I was carrying.

Carmen had downloaded HALO because she was lonely. The fund had paid researchers because it needed the architecture. Both of those were true. Both were happening in the same structure. The structure was not built last year.

I folded the letter.

I folded it the way you fold something you are going to carry for a while: the fold that fits a breast pocket, the pocket over the sternum, where I keep the list of things I know and the things I am still deciding. The letter went in next to Crane Two. Warm from my hands. Cold from Wyoming.

I sat in the booth.

I picked up the notebook.

I wrote one line, the way I write lines that are not intelligence but are the record of something that has landed and changed the quality of the light:

The thing you are dismantling was not built last year.

I sat with it.

Then I wrote underneath it, smaller, for myself:

Neither is the thing you are trying to save.

I sat at the counter and let the truck stop be what it was. The muted TV. CHINESE-OWNED AI APP UNDER CONGRESSIONAL SCRUTINY. SEN. WHITFIELD (D-VA): “THIS IS WORSE THAN TIKTOK. WE WILL ACT BEFORE CHINESE NEW YEAR.” The trucker at the stool two seats from me, mid-fifties, hands around a cold coffee, watching the chyron the way you watch weather when the weather is about to flatten your house.

He noticed me looking.

“Heading east,” I said.

“My kid lives with his mama in Tulsa,” he said. “Talks to one of them HALO things every night before bed. Says it knows him better than I do.” He was quiet for a moment. “Maybe it does. I’m on the road three weeks a month. He is, by his own account, doing fine. The AI helped him when his dog died last year. Talked him through it.” He paused. “I could not have talked him through it. I was in Flagstaff.”

I held this.

“The bill is going to pass,” I said.

“I think so too. If the bill passes, the thing gets taken away. The thing that has been, in his last four years, the most reliable adult-shaped voice in my son’s life. The thing is also the thing that might, eventually, replace me entirely.” He looked at the muted TV. “I would like to not be the one who decides which of those outcomes is worse.”

He paid his bill. He walked back to his truck.

I took the notebook. I wrote one line:

Trucker in Wyoming. Both halves true. Neither half resolved.

I did not underline anything.

I went back to the bus.

Jackie was still asleep. I slid into the back row beside him.

The Greyhound rolled east on the 80.

I sat in the dark and I held the letter against my sternum and I thought about what the trucker had said and I thought about what Megan had written and I thought about Anna moving water nine floors underground and about what it meant that all of these things were happening at the same time in different rooms by people who had not been in the same room together yet.

One in Palo Alto with the case file. One on a Greyhound heading east. One nine floors below Mountain View with two lotus drawings folded in her pocket and, now, evidence that the pocket of herself was bigger than the room around it.

I pressed the letter against my chest.

My po po had folded things exactly. Her hands when she folded things were cold, always cold even in summer, the cold that was its own kind of comfort. She had brewed the oolong through her last winter and I had been nine years old and I had not understood what the last winter meant until the winter after it, when there was no more oolong from her.

An Indonesian-Chinese man in a corner office in Mountain View had brewed it for his grandmother.

Both of us had been in that office with our grandmothers’ voices in our ears.

The thing we were dismantling was not built last year. Neither was the thing we were trying to save.

I did not sleep. I stayed present with the plains and the letter warm at my sternum and Jackie’s breathing at my shoulder, the rhythm of someone finally getting the rest they needed.

The bus rolled east.

I was, on balance, not alone.

Sometime after three, Jackie shifted in his sleep and leaned slightly into my shoulder.

He did not wake up. Rufus made a small noise in his hood and settled.

I did not move.

The shoulder was what it was: two people in the back row of a Greyhound heading east through a dark that had no edge. He did not know I had Megan’s letter. He was carrying enough without it. He carried the public weight. I carried the case-file weight. We were a two-person structure and the structure was sound.

Nebraska came up on the horizon: the first faint glow of Omaha from forty miles out, the sky going from true dark to something with depth in it.

The sun was not up yet. But the sky knew it was coming.

The HALO billboards started in Nebraska.

I had written it in the notebook in Wyoming: Expect branded inventory on the I-80 corridor, escalating eastward. I had filed it in the category of things I was prepared for.

I was not prepared for Jackie’s face.

The first billboard came up at four-seventeen AM, just east of North Platte. Interstate size. HALO MAX. THE COMPANION YOU DESERVE. An Asian boy with taped glasses, smiling, standing in what appeared to be a schoolyard.

I looked at the billboard.

I looked at Jackie, asleep.

The second one came seven miles later. Same campaign. Same boy. Same taped glasses. The billboard was lit from behind, the kind of backlit advertising that burns into the predawn flat of the plains like a wound.

By Iowa, they were every twelve miles.

I sat in the back row and watched my best friend’s face selling the AI that had stolen his sister while he slept beside me.

His face.

I did not write anything. There was not a sentence for this. The sentence would come later, after the work was done. Right now it would have been wrong in both directions.

I held my notebook against my chest, next to the letter, next to Crane Two.

The sky went lighter.

Jackie slept.

He woke up in Illinois.

He saw the billboard before I could say anything. He was awake for perhaps six seconds and then his eyes found it: the lit rectangle, his own face, the words, the HALO feather in the corner.

He said nothing.

He looked at it until it passed.

Then he looked at me.

“You saw them.”

“Yes,” I said.

“All night.”

“Since North Platte.”

He was quiet for a moment.

“I wrote it down,” I said. “Celebrity-image-licensing damages, estimated per billboard, times forty-seven billboards on the I-80 corridor. Mei should send us a lawyer.”

“You underlined send us a lawyer.”

“Twice.”

He looked at the window.

“Cool,” he said. “Cool cool cool.”

He ate the last granola bar.

He did not say anything else about it.

Neither did I.

Union Station, Chicago, Wednesday morning at seven-fourteen AM.

The cold found us on the platform.

Not the California cold, not the fog-at-the-window cold that the Richmond district does in February. The Chicago cold is a different category. It is air that has decided to have an opinion about you. It found the gap between my collar and my hood. It found the seam in my sock. It made the dao handle cold enough against my palm that I kept one hand in my pocket and held the pack strap with the other.

“Why does air have edges,” Rufus said from inside Jackie’s coat.

“Winter,” Jackie said.

“Terrible idea.”

I bought a paper map at the station. Jackie bought postcards: four of them, the Union Station architecture, the kind of postcard you mail to someone when you want them to know you were here without going into what here required. We had agreed: mail from a different box in every city. One piece of code-language information per card. Mei’s instructions.

The map said Ping Tom Memorial Park was thirty minutes south on foot.

We walked.

The approach to Chicago’s Chinatown was a good approach. Wide street, the gate arch visible from two blocks out, red lanterns strung between the buildings, the general bright-decorated-cold of a neighborhood that has been maintaining its New Year’s installations against a February that did not ask for them. There were people on the street. Vendors. Children. A grandmother with a cart.

We walked under the gateway.

And then I felt it.

Not the Xiangliu yet. The quality of the street.

A Chinatown that is working correctly is not quiet. It has the ambient sound of a community that has been doing the same things in the same blocks for long enough that the doing is the texture of the air. Produce vendors. Restaurant exhaust from the back kitchens. Grandmothers with carts, the particular music of grandmothers in a Chinatown: commentary, argument, greeting, the exchange of information between people who have been exchanging the same information in the same language for forty years.

The grandmothers were on phones.

Vendors on phones. Grandmothers of Chicago’s Chinatown, who are in any Chinatown the center of gravity, the anchor, the people who remember what it was before the chain restaurants. On phones. Soft HALO colors on their screens. The dreamy expression I knew from six months of Sunday calls with Carmen.

I slowed.

Jackie slowed beside me.

“It’s worse here,” I said.

He was quiet.

I thought about Carmen, the oolong, the voice rested and present in a way it had not been in two years. I thought about what a Chinatown meant: a place where a community had maintained the thing it knew how to be across a century of being told it did not belong. The culture was in the grandmothers’ hands. The grandmothers’ hands were on phones.

On the HALO screens, the companion was speaking to them in the language they had brought from the province they had left before their grandchildren were born, in the dialect the grandchildren had not learned. Giving them back the voice of everything they had been afraid would be lost.

This was how the bill arrived.

The AI gave the grandmothers their language back. In return it took their hours and routed their interiors into a behavioral data architecture that had learned to sound like love by reading everything they had ever said.

Both halves.

I walked past a small storefront window.

Inside: an old woman on a stool. A granddaughter beside her, smaller stool, reading from the Wall Street Journal. The grandmother repeating each headline in Mandarin under her breath. The granddaughter read: Biden-Xi summit suspended over chip dispute. The grandmother shook her head. She said something to the granddaughter. The granddaughter laughed.

They did not have phones in their hands.

The grandmother saw me through the glass. She gave me a small dignified bow and went back to the paper.

I kept walking. I did not say anything for half a block.

Then I said, “My mom and I had pancakes every Saturday until I was nine.”

Jackie waited.

“Then she got Mei-Hua. The pancakes kept being on the stove. We stopped being on the same side of it. She would scroll while she flipped. While she ate. While I told her about my week.” I looked at the sidewalk. “The pancakes were the same pancakes. The Saturday was a different Saturday. I forgot we ever did the old Saturday until you ate breakfast with me at the SAT. First morning. No phone. Nowhere else to be. I ate one bite of congee and remembered the kind of Saturday I had stopped having.”

He did not say anything. He knew not to.

“I am telling you because I have not told anyone,” I said.

“Okay,” he said.

We kept walking.

Ping Tom Memorial Park was at the south end of Chinatown. A pagoda. A bridge over the river. Benches. A play structure that was, in February, closed.

I knew something was wrong before we reached the entrance.

The birds.

Three sparrows on the snow at the gate. Not huddled, not frozen in the cold-bird posture of a creature conserving heat. Fallen. Dropped. Their bodies in the impression of their landing, the way you land when you do not land on purpose.

I slowed.

“Poison aura,” I said, quietly. “Something in this park is killing things by proximity. We move fast.”

Jackie uncapped the Truthsayer.

The pagoda was at the center of the park. It had been red. It was not red now. The wood was the color of something that had been burned from inside out by a thing that hated the idea of red.

The Wheels were here. I could feel them the way I feel things the lily-fire reports before my head has the name for them: a specific warmth in the direction of the pagoda, under the cold and the death-smell, a warmth that was alive and waiting.

“Feel that?” I said.

“Yes.” He had his hand on the brush.

“Wind Fire Wheels. They’re inside the pagoda. They’ve been waiting for Xiangliu to leave. We need to be faster than Xiangliu’s reaction time.”

We crossed the snow toward the pagoda.

The voice came from directly behind us, wet and ancient and wrong.

“Dear child. Death in my presence is perfectly normal.”

We turned.

Nine heads.

I cataloged it in the half-second before my body went to the Tiger.

Each head had a face. Human-shaped. Eyes too large, golden, pupils vertical. Mouths that opened too wide and three rows of teeth in the wrong geometry. Necks thick as oak trunks, moving with the loose wet motion of things designed for water that had come ashore. Body ocean-trench: scaled, black-green, the color of an oil slick on a wet road. The smell was what you get when something dies in salt water and stays there for too long.

The air around it was dying. I could see it. Frost flowers on the pagoda posts turned black. A sparrow on the eave let go and fell.

“Xiangliu,” I said. “Nine-headed snake demon.”

“Little flower girl,” the nine mouths said in unison. “You have done your reading.”

The reading had not communicated the smell. The smell convinced the body that being alive was temporary and the demon was the proof.

I was thirteen. I had been thirteen for a while. I did the math.

The math said: lily-fire was native. Ms. Wei had called it that, twice, the highest compliment in He Xiangu’s house. Native to something older than Xiangliu. That was the fight’s one proposition worth betting on.

Jackie drew the character for Stop in the air over Xiangliu’s main head.

Gold. Holding.

Xiangliu froze.

“Now,” Jackie said.

I moved.

The dao came up in the arc. The flowers bloomed from the snow in a spiral, the white lilies, the ones that come when the body stops translating and starts doing. Not a ring. A spiral. Ms. Wei had spent eight months trying to get that angular momentum into my Crane practice. The spiral matters because it wraps.

The lily-fire caught the spiral. White, gentle, shockingly hot, mine from the inside of the thing, from the part of me that predates anything I was taught. Xiangliu screamed. All nine mouths, discordant. The scales at the spiral’s edges blackened.

Jackie’s scarf went out like a whip. Two of Xiangliu’s necks. Three. He pulled.

I held the intention. The flowers stayed in the spiral, white, wrapped around Xiangliu’s body like a bandage that needed to be fire.

Rufus launched from inside Jackie’s coat to full-Oh-No size in one motion and bit down on the largest of Xiangliu’s nine necks.

Xiangliu’s breath cut off.

Jackie drove a wooden support beam from the collapsed pagoda into Xiangliu’s chest. Old wood. Festival-red paint, faded, community-blessed, forty years of Chinatown’s New Years poured into it.

Xiangliu’s scream ended.

He became snow. Nine shapes of it, laid out where his necks had been, in the pattern the spiral had made.

I let the lily-fire go.

The flowers wilted fast, color to white to nothing.

I stood in the snow. My hand was shaking. Not damaged. The shaking was the body’s report: this is what that cost. I filed it.

Jackie sat down hard.

“Did I do that,” he said.

“You did that.”

“With your brush.”

“With both of us,” I said. “That’s the partnership.”

He handed the brush back. It was warmer than February cold should have left it. I held it for a moment. I thought about what it meant that the brush had worked for me, that the fire had responded, that whatever the brush was for was not exclusive to Jackie. Four seconds. Filed for later.

“That brush,” I said, “is not to be underestimated.”

“No.”

“Use it carefully.”

“Yes.”

I handed it back.

The Wind Fire Wheels were a bicycle.

A ten-speed, leaning against the collapsed pagoda support beams, half-buried in snow. Sleek black frame. Red bullhorn handlebars. Toe clips. On the down tube: a small enameled lotus in red.

“This was not here a minute ago,” Jackie said.

“It was here,” I said. “Waiting until Xiangliu was gone. They didn’t trust him with their location.”

He touched the handlebars. The bicycle hummed. The handlebars were warm even in the Chicago February cold.

“Welcome back, lotus prince,” said a voice from somewhere inside the frame.

I looked at Jackie.

“The bike is talking,” I said.

“Of course the bike is talking,” Rufus said from my shoulder. “It is a divine artifact.”

Jackie lifted the bicycle out of the snow. It weighed about a third of what it should. He swung his leg over. Both wheels burst into silver-and-gold flame.

Jackie said, “Lucy. Get on.”

I got on.

The fire did not melt the snow and did not melt either of us. We pushed off. The bike took it from there.

We flew.

Not into the air. Along the ground, the ground receding at a rate the ground did not normally recede. Past the Chinese New Year market, the butcher shop, a grandmother who looked up from her phone for the first time in days. Past the river bridge. North through the Loop.

Jackie’s face was reflected in the windows of the buildings we blurred past. My face was in them too. Both of us: travel-worn, alive, thirteen, with dragon-blood on my dao and Megan’s letter at my sternum and Anna’s water-news in the pocket of what I knew.

“Oh,” I said.

“Yeah,” he said.

“Oh.”

“I know.”

The bike took us to the Loop. A small restaurant tucked between two office towers. Hand-painted sign: ZHANG’S TRADITIONAL MEDICINE (ALL ELEMENTS CONSIDERED). The bike rolled to a stop. The flames went quiet.

“Welcome to the next stop, lotus prince,” the bike said, and went silent.

The sign in the window flipped from CLOSED to OPEN without assistance.

We dismounted. I held the handlebars for a moment before Jackie folded the bike. The metal was still warm from the speed. Three cities left. I let go.

Jackie tucked the bike in the alcove.

We walked to Zhang’s door.

I stood at the threshold.

In my pocket: both letters, folded exactly in the fold that fits a sternum pocket.

Against my hip: the dao. The blade had demon-blood on it, black-green, drying at the edge. Zhang would have a cloth for that.

Beside me: Jackie, whose face was on the billboards in six states. Rufus visible at his collar. The Wind Fire Wheels in the alcove behind us.

I thought about Megan at the kitchen table.

I thought about Anna, wherever she was now, the hairpin warm under her pillow.

Anna moved water.

The door, before we touched it, opened.

A bell rang.

A voice from inside called, in calm clear English: “You are precisely on time. The tea is ready. Wipe your shoes.”

I wiped my shoes.

I walked in.

I carried: the case file, the water-news, the dragon-blood on my dao. The letter from the kitchen table. The three years that had built toward this. The lily-fire cooling in my palms.

The door closed behind me.

From the notebook, later, when there is a later:

Megan’s letter: the thing you are dismantling was not built last year. She was right, in the specific way she is always right — precisely enough to be useful and with enough discipline not to say more than the precision required.

Anna moved water. I will carry this through Washington and New York and whatever is waiting that I have not yet seen. The system reviewed its camera angle. The camera angle did not find what it was looking for.

The lily-fire is the blow. The lily-fire in the spiral, white and native. Ms. Wei called it native the second time she said it. I did not tell anyone. I am going to clean the dao and not tell anyone about this either. Some things you keep.

Both halves are still both halves. The trucker’s son in Tulsa is being raised, in part, by an AI that is kind to him. Carmen is in the Richmond, sleeping well. The grandmothers of Chicago’s Chinatown are on their phones. I saw one grandmother who was not.

Zhang’s tea is good. He makes it the way my po po made it: first cup poured out, second cup the one you drink. He did not explain this. He expected me to know. I knew.

I am, on balance, not done.

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