CONCEPT
Suggestion versus Directive
The editorial distinction between opening a possibility without closing alternatives (suggestion) and making a decision for the author to ratify (directive)—where only the former expands the writer's autonomy rather than constraining it.
The art of editorial suggestion lies in creating space for the writer's judgment rather than substituting the editor's judgment for the writer's. A directive—"cut this sentence"—presents a decision and asks for ratification. A suggestion—"I notice I lose the thread here; is this sentence doing the work you need it to do?"—describes the editor's experience and offers that description as information the writer can use. The writer may conclude the sentence is doing exactly the work it needs and that the editor's confusion is a failure of attention rather than a failure of the text. The writer may recognize a genuine problem and cut the sentence. The writer may find a third option neither party anticipated. Each outcome represents the writer's autonomous choice, informed by the editor's response but not determined by it. The suggestion, paradoxically, expands the writer's freedom: she now has more options than she had working alone, because the editor's response has opened a possibility the writer had not considered. The directive,
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