CONCEPT
Making Do
De Certeau's signature phrase for the practitioner's art: not making from nothing but making from what is available. The tactical operation that produces dignity, meaning, and creative agency under conditions the practitioner did not choose.
Making do—faire avec—is the operational core of de Certeau's entire framework. It names the creativity that emerges when a practitioner works with materials she did not choose, under constraints she did not set, toward purposes that must be realized through navigation of systems designed by others. The cook makes do with the refrigerator's contents. The walker makes do with the city's grid. The worker makes do with the factory's machinery. The builder makes do with the AI model's outputs. Making-do is not resignation but active practice—the exercise of judgment about what can be appropriated, which combinations will hold, what is good enough for the purpose. It is the freedom available to those who lack the territory, the resources, or the institutional power to design their circumstances. And it is, de Certeau insisted, the ordinary human condition—the condition under which most creativity actually occurs, most meaning is actually produced, most lives are actually lived.
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