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CONCEPT

War, Crisis, and the Misdirection of Technological History

Edgerton's diagnosis that war and crisis distort technological history by concentrating attention on extreme applications while rendering invisible the ordinary uses that constitute the majority of any technology's actual impact.
War and crisis distort the historical record of technology in systematic ways. The atomic bomb received more intellectual attention than any technology in history; the Kalashnikov rifle killed more people; the machete killed nearly a million in the Rwandan genocide. The crisis frame directs attention toward the dramatic weapon and away from the mundane weapon, and the allocation of attention has consequences: investment in nuclear nonproliferation dwarfed investment in small-arms control, despite the fact that small arms caused more deaths by orders of magnitude. Edgerton has documented this misdirection across the entire history of military technology and extended the analysis to the AI moment, where the same dynamic is visible in the distortion of attention toward existential risk and dramatic capability claims and away from the mundane, currently occurring effects of AI deployment.
War, Crisis, and the Misdirection of Technological History
War, Crisis, and the Misdirection of Technological History

In The You On AI Field Guide

The dominant frames for discussing artificial intelligence in 2025–2026 are crisis frames. Existential risk: AI might destroy humanity. Job displacement: AI will eliminate millions of jobs. Civilizational transformation: AI will reorganize every institution within a generation. Arms race: the nation that leads in AI will dominate the twenty-first century. Each frame concentrates attention on the extreme scenario — the worst case, the best case, the case that produces the most dramatic narrative — and renders invisible the ordinary deployment that will affect more people than any extreme scenario.

The crisis frame is structurally distinct from the use-centered frame even when both describe the same underlying reality. The SaaSpocalypse is a crisis narrative; the underlying event is a market repricing — significant, disruptive, painful for those inside it, but not an apocalypse. The jobs discourse is a crisis frame; the underlying reality is more ambiguous — some jobs eliminated, some restructured, some new jobs created, many existing jobs intensified rather than displaced. The ambiguity is not dramatic enough for the crisis frame, which requires clarity: either catastrophe or salvation. The ambiguity is, however, the actual state of the evidence.

Use-Centered History
Use-Centered History

The existential risk discourse is the purest expression of the crisis frame. Investment in AI safety research focused primarily on existential risk scenarios has grown rapidly. Investment in understanding the mundane, everyday, already-occurring effects of AI on ordinary work, ordinary education, ordinary attention, and ordinary institutional practice has grown far more slowly. The crisis frame directs resources toward the dramatic scenario and away from the actual one. This is not a failure of intention; it is a structural feature of how crisis narratives allocate attention.

Edgerton's response is not to dismiss crisis concerns but to insist on proportionality. The crisis frame describes the experience from inside the rupture — from the perspective of people closest to the frontier, with the most at stake in the outcome. The use-centered frame describes the same transition from outside the crisis, and the view shows not a five-stage dramatic arc but a far more gradual process: slow adoption, uneven deployment, incremental adjustment, the persistence of older practices alongside newer ones, and the accumulation of small changes over decades rather than seasons.

Origin

The framework draws on Edgerton's extensive work in British military and industrial history — particularly England and the Aeroplane and Warfare State — where he documented in detail how war shapes both technology and the historical record of technology, and how crisis distortions persist in popular memory long after the original crisis has passed.

Key Ideas

Crisis frames demand drama. The genre of the crisis narrative requires turning points, phase transitions, before-and-after moments that resist the slow, ambiguous patterns of actual technological change.

The Innovation Illusion
The Innovation Illusion

Attention follows drama, not impact. The most-attended technologies are not the most-impactful; the misdirection produces investment, policy, and education distortions.

Existential risk crowds out everyday harm. The AI safety discourse focused on hypothetical futures has outcompeted attention to documented current effects.

The slow story has been right every time. Across a century of technological transitions, the use-centered analysis has consistently produced more accurate predictions than the crisis frame.

Further Reading

  1. David Edgerton, Warfare State: Britain, 1920–1970 (Cambridge University Press, 2005)
  2. David Edgerton, Britain's War Machine (Allen Lane, 2011)
  3. David Edgerton, The Shock of the Old, Chapter 7 "Killing" (Profile Books, 2006)
  4. Mary Kaldor, The Baroque Arsenal (Hill and Wang, 1981) — for adjacent analysis of military-technological priorities

Three Positions on War, Crisis, and the Misdirection of Technological History

From Chapter 15 — how the Boulder, the Believer, and the Beaver each read this concept
Boulder · Refusal
Han's diagnosis
The Boulder sees in War, Crisis, and the Misdirection of Technological History evidence of the pathology — that refusal, not adaptation, is the correct posture. The garden, the analog life, the smartphone that is not bought.
Believer · Flow
Riding the current
The Believer sees War, Crisis, and the Misdirection of Technological History as the river's direction — lean in. Trust that the technium, as Kevin Kelly argues, wants what life wants. Resistance is fear, not wisdom.
Beaver · Stewardship
Building dams
The Beaver sees War, Crisis, and the Misdirection of Technological History as an opportunity for construction. Neither refuse nor surrender — build the institutional, attentional, and craft governors that shape the river around the things worth preserving.

Read Chapter 15 in the book →

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