The book engages climate change without becoming polemic. Its method is observational: Jamie visits sites where climate-driven transformation is making visible what has long been hidden, and records what she sees. The resulting essays carry more urgency than her previous work without sacrificing its patience.
The Yukon essays, developed through Jamie's involvement with archaeological digs in the Mercer Lake region, extend her method to collaboration with scientists. She is present during excavations, records what the archaeologists do and what they find, and maintains her own observational frame alongside theirs.
The personal memoir thread — surfacing memories of family, adolescence, and Scottish political history — integrates with the archaeological material in ways that refuse separation between exterior and interior excavation. The same attention yields both.
The book appeared as the climate crisis was crystallizing as the dominant cultural frame. Its method — patient, specific, grounded in physical presence — proposed an alternative to both apocalyptic rhetoric and technocratic optimism.
Essays composed between 2012 and 2019, including extended periods in the Yukon with archaeologist Bill Schneider. Several appeared in Granta, The Guardian, and other venues before collection.
Preservation and change. The bog and the permafrost preserve by refusing to hurry; when their conditions change, what they held surfaces — sometimes as gift, sometimes as loss.
Archaeology as extended attention. The archaeologist's methodology — patient excavation, context preservation, refusal to hurry — aligns with Jamie's observational practice.
Personal and geological time converge. The same attention excavates memory and ancient sites.
Climate change as lens, not topic. The book does not polemicize; it attends to the specific things climate is making visible.