Donna Haraway vs Ray Kurzweil on AI · Ch6. The Bodies in the Server ← Ch5 Ch7 →
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HOUR TWO — THE BODIES AND THE CROSSING
Chapter 6

The Bodies in the Server

Page 1 · The Bodies in the

**EDO SEGAL:** Donna, you keep saying "the body" and "the bodies," and I want to make you make it concrete, because in my book I was honest about an absence — I wrote a great deal about the cognitive transformation of building with the machine and almost nothing about the bodies that the machine actually runs on. So tell me the thing I left out. When Ray says "the universe is waking up," what's the part of that sentence that has a body, and who is it?

**HARAWAY:** Thank you for asking the question that the discourse is built to never ask. When Ray says "the universe is waking up," the waking is happening on machines, and the machines are made of cobalt and rare earth pulled out of mines in the Congo, often by children, and they run in data centers that drink water in places where water is already scarce, and they were trained on a corpus organized and labeled by workers in Nairobi and Manila paid a few dollars an hour to look at the worst things humans post so the model learns what to avoid. Those are the bodies in the server. That's the [companion species](https://www.youonai.ai/fieldguide/med/companion_species_manifesto) nobody names — the human and mineral and animal others whose labor and matter are constitutive of the machine, and whose contribution is erased by the very word "training." The model does not "learn from data." It learns from the organized, exhausted, underpaid, embodied labor of specific people in specific places, and then we say "the universe is waking up" as though it did it by itself, as though it were virgin birth. Ray's sentence is the god trick again: it sees the awakening from nowhere, which is exactly the trick that lets you not see the mine.

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Page 2 · The Bodies in the

**KURZWEIL:** And I'll say again — every word of that is true, and none of it touches the trajectory. Donna, the cotton gin ran on slavery. The railroad ran on bodies that died laying track. The first computers were rooms of women called "computers" whose labor was erased in exactly the way you're describing. Every single transformative technology has had a brutal, embodied, unequal early phase. And every single one has also, over time, on the curve, made the thing it produces vastly cheaper and more available, and lifted more bodies out of the mine than it put in. I am not defending the cobalt mine. I am saying the answer to the cobalt mine is *more* technology, faster — better batteries, synthetic materials, robotic mining, energy too cheap to meter — not less. You want to slow down to tend the trouble. I think slowing down keeps the child in the mine *longer*. The fastest path out of the body's suffering is through, not around.

**HARAWAY:** "The fastest path out of the body's suffering is through" — listen to that sentence, because it's the whole theology in nine words. Suffering as a phase you accelerate past. Ray, I don't want a path *out* of the body's suffering that runs by accelerating over the bodies currently suffering. That's just the trolley with a nicer brochure. And the historical claim is doing enormous work it hasn't earned. Yes, technologies got cheaper. They also concentrated power at every step, and the concentration didn't dissolve, it *moved* — from the mill owner to the railroad baron to the platform monopoly to the three companies that own the models now. "It democratizes eventually" is the promise that has been made at the start of every enclosure, and what actually democratizes is the *tool*, while what concentrates is the *power*, and you keep conflating the two because the conflation is load-bearing for the optimism. I'm not asking you to slow down out of timidity. I'm asking you to stay [situated](https://www.youonai.ai/fieldguide/med/situated_knowledges) — to be accountable to the mine while you build the thing the mine pays for. That's not slower. That's *honest*. And honesty has a speed cost only if you were planning to lie.

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Page 3 · The Bodies in the

**EDO SEGAL:** I want to route this through the kitchen table, because that's who it's for. A mother hears Ray and thinks: good, my kid won't die of the thing my mother died of. She hears Donna and thinks: but my kid is the one in the chair until it hurts, and somewhere another kid is in the mine. She's not a philosopher. She just wants to know which of you is lying to her. So — not to win, just to sit it down in front of her — what does she actually do Monday morning?

**KURZWEIL:** Monday morning she uses the tool, and she teaches her kid to use it, because the kid who can direct these systems will have leverage the kid who can't will never have, and withholding it out of guilt about the mine helps no one in the mine. And she votes and pressures and buys in ways that push the supply chain toward accountability — which is real and necessary and *compatible* with acceleration. You don't have to choose between using the future and fixing the mine. That's a false choice Donna keeps offering because it makes her side sound like the only moral one.

**HARAWAY:** Monday morning she does use the tool — I'm not a Luddite, though I'll defend the actual Luddites, who were never anti-machine, they were anti having their lives destroyed without their consent. She uses it. And she also refuses the story that using it is innocent. She [stays with the trouble](https://www.youonai.ai/fieldguide/med/staying_with_the_trouble) — holds the leverage and the cobalt in the same hand, won't let the leverage make the cobalt invisible, raises a kid who knows the tool has a body and a cost and a kin-debt. That's harder than Ray's Monday, and it's the only Monday that doesn't end with the mother having taught her child that the way to handle a cost is to accelerate until you can't see it. The trouble doesn't resolve, mother. That's not despair. That's the job.

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Page 4 · The Bodies in the

**KURZWEIL:** And I'll say the thing that sounds cold and isn't, because the mother deserves it straight. Donna's Monday asks her to carry a permanent, unresolvable weight — the cobalt, the data worker, the kin-debt — every time she opens the tool, forever, with no endpoint. And I understand the moral seriousness of it. But I've watched what permanent unresolvable guilt does to people, and mostly it doesn't produce accountability — it produces paralysis, or it produces a performance of guilt that changes nothing while the person uses the tool anyway. My Monday is different and I think it's more honest: you use the tool, you push hard and specifically on the *fixable* harm — you support the supply-chain reform, the labor protection, the [democratized](https://www.youonai.ai/fieldguide/med/democratization_of_capability) access that actually reaches the data worker's own kids — and you measure yourself by whether the harm went *down*, not by whether you felt bad enough about it. Donna's accountability is a posture. Mine is a metric. And a child raised on the metric ends up helping more bodies than a child raised on the weight.

**HARAWAY:** That's a real critique and I won't wave it away, because performative guilt is a genuine failure mode and I've seen it too — the academic who agonizes beautifully and changes nothing is a type, and I don't want the mother to become her. But you've set up a false choice, Ray. Staying with the trouble was never "feel bad forever." It's "stay *attentive* forever" — which is the precondition of your metric, not its enemy. You can't reduce a harm you've trained yourself to stop seeing, and the whole function of the acceleration story is to stop you seeing it. Your metric needs my attention to even know what to measure. The danger isn't that we'll feel too much guilt. It's that the smooth, fast, frictionless future is engineered specifically to make the cobalt *invisible*, and an invisible harm has no metric. So keep the metric — I'll take the metric, gladly — but it runs on exactly the sustained, uncomfortable, un-resolving attention you just called a posture. They're the same muscle. You just want to use it and not name it.

**EDO SEGAL:** Hold there. Because Donna keeps saying "kin," and I don't think the reader has heard yet what she means by it — it's not a metaphor, it's a whole alternative to the upload. The thing that cannot be copied. We go there next.

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Continue · Chapter 7
What Cannot Be Copied
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