By Edo Segal
The passage that stopped me was not about technology. It was about a painting of a woman looking out at me from a canvas, and the question of who had arranged her there, and for whom, and what the arrangement concealed about the world that produced it.
I was reading John Berger's *Ways of Seeing* at a moment when I should have been building. Claude was open in another tab. I had a prototype to finish, a chapter to draft, a team waiting on direction. But Berger had asked a question that made all of that feel slightly fraudulent: *What are the actual conditions of production, and who benefits from your not examining them?*
He was talking about oil paintings. About the European tradition of rendering
A reading-companion catalog of the 21 Orange Pill Wiki entries linked from this book — the people, ideas, works, and events that John Berger — On AI uses as stepping stones for thinking through the AI revolution.
Open the Wiki Companion →