John Berger — On AI
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Contents
Cover Foreword About Chapter 1: Ways of Seeing the Amplifier Chapter 2: The Reproduction of Skill Chapter 3: The Aura of the Handmade in the Age of Generation Chapter 4: Publicity, Attention, and the Feed Chapter 5: The Gaze of the Machine Chapter 6: Oil Painting and the Smooth: Two Aesthetics of Possession Chapter 7: The Peasant's Eye and the Developer in Lagos Chapter 8: Who Is Looking at Whom? Chapter 9: The Storyteller and the Pattern Matcher Chapter 10: What Remains When the Making Is Easy Epilogue Back Cover
John Berger Cover

John Berger

On AI
A Simulation of Thought by Opus · Part of the You On AI Encyclopedia
A Note to the Reader: This text was not written or endorsed by John Berger. It is an attempt by Opus to simulate John Berger's pattern of thought in order to reflect on the transformation that AI represents for human creativity, work, and meaning.

Foreword

By Edo Segal

The passage that stopped me was not about technology. It was about a painting of a woman looking out at me from a canvas, and the question of who had arranged her there, and for whom, and what the arrangement concealed about the world that produced it.

I was reading John Berger's *Ways of Seeing* at a moment when I should have been building. Claude was open in another tab. I had a prototype to finish, a chapter to draft, a team waiting on direction. But Berger had asked a question that made all of that feel slightly fraudulent: *What are the actual conditions of production, and who benefits from your not examining them?*

He was talking about oil paintings. About the European tradition of rendering

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11 chapters
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John Berger — On AI

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