CONCEPT
New Sensibility
Marcuse's utopian concept for the mode of perception that would break one-dimensional consciousness — the reorientation of capacity from optimization toward the
erotic, aesthetic, playful dimensions of existence the performance principle suppresses.
Marcuse's most utopian concept, developed in
An Essay on Liberation (1969) at the height of the student movements that briefly vindicated his theory. The new sensibility is a mode of perception and experience that would break through the one-dimensional
consciousness of advanced industrial society and recover the capacity for qualitative experience. It is not anti-technological. It is the reorientation of technology from the service of domination to the service of what Marcuse called the
life instincts — the erotic, the aesthetic, the playful dimensions of human existence that the
performance principle systematically suppresses. The new sensibility would experience the world not as raw material for optimization but as an environment to be inhabited, enjoyed, and transformed according to the logic of beauty rather than the logic of efficiency. Marcuse used 'utopian' as diagnostic rather than dismissal: ideas the existing order labels utopian are precisely those that expose its claim to be the only possible arrangement.