Abraham Moles
Foreword
By Edo Segal ^ Opus
I first encountered Abraham Moles through a footnote in a paper on digital aesthetics, but his ideas hit me like a revelation about what we're actually living through right now.
Moles was writing about information theory and aesthetics decades before anyone imagined we'd be collaborating with machines that could generate novels, compose symphonies, and write code from plain English descriptions. But his framework for understanding how information moves through cultural systems—how messages are encoded, transmitted, received, and filtered—gives us the clearest lens I've found for making sense of the AI revolution we're all navigating.
I spent months in 2026 watching teams undergo what I called "the orange pill moment"—that threshold where engineers realized the old rules no longer applied, where the gap between imagination and artifact collapsed
